Entrance of Suq al-Hamidiyya in the eighties of the 20th century, Damascus
Entrance of Suq al-Hamidiyya in the eighties of the 20th century, Damascus
Modern interpretations of the traditional craft of ‘Ajami (workshop of Aliya Alnuami)
Aliya Alnuami is applying the relief paste on her ‘Ajami-work
Aliya Alnuami is applying the relief paste on her ‘Ajami-work
Processes of the contemporary ‘Ajami handcraft: the application of metal foil
Roman Gate (Peribolos) at the Straight Street, Old City of Damsacus
Al-Madrasa as-Sulaymaniyya (minor Takiyya), courtyard with fountain, arch arcades and mosque
General view of al-Qarmani Bath and garden
Aliya Alnuami is experimenting with new ways of painting and decorating ‘Ajami work
Daily scene in front of some shops in Raqqa
Great Mosque, prayer hall, Shrine of the Prophet Zakariya
Jamiʿ al-Mihmandar, minaret
Bayt al Haj Musa (cad. no. VII 2060 and 2056)/ Reduced ground plan with ruler
Traditional house in neighborhood “al-Almaji”
Hama, general overview at the Jisriyya/Bridge Noria (waterwheel)
Madrasa al-Hallawiyya: interior view at the former Byzantine apse
Great Mosque of Raqqa-Rafiqa, 8th/12th C.
Aramaic Language – Jab’adin in Munira’s Memory
Yabrud: Streetlife with shops and residential houses, townspeople and peasants
A group of columns, remains of the southern Roman baths in Busra
Rumi motifs on the Aleppo Room
Raqqa, main shopping road with salesman of vegetables
Jazz Caravan Festival 1996 in Damascus
1 Issam Hajjar ih-Damascus
Upholstery in al-Haywatiyya Quarter, Damascus
Aliya Alnuami is finalising her ‘Ajami work
Maps of Aleppo: functional zoning in the ancient city, 1982
Fig. 31, Catalogue of Damage
Fig.22_3rd category
Motifs of the decorated wooden panels of Beit Ghazaleh
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Entrance of Suq al-Hamidiyya in the eighties of the 20th century, Damascus
